Photos and words by Shannon Pepe
They say third time’s a charm, and I’d have to agree when it come’s to The Japanese House. This was the third time I was able to cover this band, and once again, they did not disappoint. In fact, it was the best I’ve ever seen them.
The last time The Japanese House hit Philadelphia, they played at Union Transfer back in the fall of 2023. Now, having doubled their venue size, the band took on Franklin Music Hall but brought the same magic they always do. I was also lucky enough to cover their set at Shadow of the City Fest back in June.
The immense raw talent of Amber Bain gets me every time. There’s something so magical about her entrance on stage – casual, yet so unbelievable cool you’re almost in awe that it’s that simple for her. When Bain walked out on the stage at Franklin Music Hall, the crowd seemed to feel the same way, judging by their starstruck expressions. I’ve seen a lot of gigs where big productions dominate the show, with people flipping around amidst crazy visuals and background dancers. But that’s not The Japanese House. They’re all about their music. Bain’s unique vocals and unparalleled talent on the guitar is what they give you and frankly, it’s all you need. This time, a few circular light fixtures behind the band enhanced the magic you were already feeling.
Bain’s connection to her crowd is always evident. Through her casual chats between songs, it feels as if everyone in the audience is just friends hanging out, listening to music in an intimate space. Bain called the Philadelphia crowd “cute” and dedicated the song “Boyhood” to all the gays in the crowd, proclaiming that this one was for them.
As the drums kicked off The Japanese House’s song “Over There” from their most recent album, In The End It Always Does, Bain began her heartfelt serenade. Shortly after the first line of the song, she asked the band to stop and burst out laughing. Still giggling, she admitted that she thought she had messed up the lyrics, only to realize later that she was actually right. Restarting the song, she whispered, “All hate is self hate” into the mic, smirking at the crowd.
Bain also happened to play two of my favorite tracks, “Chewing Cotton Wool” and “Dionne.” That’s when I knew that this show would be a frontrunner for the best concert of 2024. I’ve said it many times, and I’ll say it again—you do not want to miss The Japanese House on tour.
You can catch The Japanese House on the rest of their U.S tour here!
Check out The Japanese House here!
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